Reviewed By: Harriet Klausner
Deep South
Amazon US PB Amazon US TPB Amazon Canada PB Amazon Canada TPB
Nevada Barr
Class/Genre: Mystery Police Procedural Woman Main Character Classic Government Agency
Series: Anna Pigeon # 8
Putnam, Mar 2000, $23.95, 352 pp.
Attitude not miles counts when measuring the distance between Colorado's Mesa Verde National Park and the Port Gibson District of the Natchez Trace Parkway. Federal Park law enforcement official Anna Pigeon learns that lesson when she accepts a promotion transfer to the South. However, Anna soon learns that the "ole boy" network still thrives in the South, especially when she concludes that her all male deputies resent working for a mere female. Their sexism reaches dangerous proportions when they refuse to provide Anna back up during a potentially emergency situation.
Anna's sense of oppression fully surfaces when someone kills a teenage white girl following the prom. The victim was stomped to death. A white sheet with slits cut out for the eyes covered her face. A rope hung loosely around her neck. Someone made it look like the work of the KKK. As she begins her investigation into the racially charged crime, Anna learns how deep hatred flows in the hearts and souls of some bigots.
Surprisingly, DEEP SOUTH has a literary feel that counterbalances the repulsive almost overwhelming loathing that is the creed of some of the characters. This juxtaposition adds chilling drama to a well-designed mystery. Anna's adjustment to her new home augments the tense story line by her battle with racism and sexism. Nevada Barr condemns the rural south for its deep-rooted prejudices, even as the author applauds the fact that discrimination is more in the open than the de facto segregation of most of the rest of the country. The openness and honest feelings allows Anna to deal with anything thrown her way. The social commentary cleverly wraps inside an excellent police procedural without slowing down the main plot.
Harriet Klausner
Reprinted with permission. Do Not repost without permission from the author, Harriet Klausner
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