Reviewed By: Harriet Klausner
Roman Dusk
Amazon US TPB Amazon US HC Amazon Canada TPB Amazon Canada HC
Chelsea Quinn Yarbro
Class/Genre: Mystery Fantasy Romance Historical Vampire Horror
Series: Ragoczy, the Count Saint-Germain # 19
Tor, Sep 2006, $27.95
It is the beginning of the end for the once mighty Roman Empire. Barbarians are at the gates with the outposts falling to the enemies. Legions are not getting paid while ethics no longer go as far they once did leading to widespread hardship and fear. Officials are corrupt using their positions of power for personal gain with extortion being the norm.
Vampire Ragoczy Germainus Sanct’ Fransicus (AKA Count St. Germain) has bad luck when he crosses path with Batsho the decuriae, who collects tax money. Initially, the vampire remains ignorant to Batsho’s animosity towards him as he is preoccupied with healing a suffering widow suffering with his special medicines. He gets his nourishment from a call girl that lacks the emotional intensity he craves when he dines. Inquiries about the vampire’s goods that need to be taxed call his attention to Batsho’s corruption and animosity to him personally because he is a rich foreigner. When Ragoczy learns that one of his servants spies for Batsho, he starts to arrange his departure from Rome, but the Christians have other plans for him.
Every time one reads a St. Germain thriller, one obtains an astute history lesson that is cleverly wrapped inside a delightful vampire tale. The story line in ROMAN DUSK occurs around 160 AD, which focuses on the corruption of the Rome’s powerful at the cost of long term security. Thus the beginning cracks that ultimately lead to the fall of the City-State are occurring as the affluent get wealthier and everyone poorer. This time the vampire is caught in the middle of a power struggle between the current dishonest leaders and the intolerant Christians pushing to eradicate all the sinners and demon offspring by dispatching them to hell.
Harriet Klausner
Reprinted with permission. Do Not repost without permission from the author, Harriet Klausner
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